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Grief & Praise

by The Whiskey Priest

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    Pink splattered colored vinyl, only 100 made.

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    edition of 100 

      $23 USD or more 

     

  • Compact Disc (CD) + Digital Album

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1.
Well I held my shoes on the black of the river bed And I sold my rib and i dumped my head again I raised the sea, it took all my courage then Cos old friends might never come back again And I buried my fire and I burned my hand away I love your tail lights, I’d sail em any other day But I signed a treaty, I don’t know why my friends are so far away I woulda thought a win, long eyes singing again Beams and rafters, hunger and laughter Imma come after you Beams and rafters, build me up backwards Imma come after you Beams and rafters, hunger and laughter Imma come after you So I washed your blood in the mud of the river bed And I stole back my bones and I hit the road again I could use one or two, a few more days with you my friend Cos I’m ’m afraid you might never look back again I’m afraid you might never look back again
2.
There is a hat sitting on the waves All by itself in the middle of the lake Hidden in shadows of the mountain peak Like some sad secret that they can’t help but keep It has no way to make it back to the shore It don’t belong to anyone anymore But when you were stretched out in front of me I belonged to everything I heard a song back when I was a child About a mansion in the midst of the wild It had no doors, fences, windows, or walls Had no driveway, had no address at all That song rhymed words that my mouth couldn’t make It had a rhythm that my feet couldn’t fake As I got older it slipped away into dreams As I got older it got harder and harder to sing But when you were stretched out in front of me I could sing anything I wrote a book all alone in the dark I had no fire, no flicker, no spark I had no paper or pen I wrote it in blood on the back of the wind I wrote for one hundred nights I wrote until my rivers ran dry I wrote until my fingers felt frayed And then I turned on the light and I looked down at what I’d made But I’d just made a mess of it all Made a tower just to watch it fall Made up my mind - I made it up by myself Now my hands are tied and I can’t make anything else But when you were stretched out in front of me We could make anything
3.
I’m a farmer, I’m a farmer of fire I burn the bridges, I burn the ships every night So I can’t run away but I can’t face you and fight It gets harder, it gets harder each time I bite my lip real hard for ya babe Got my dark shades on for ya babe I dip my fingers in your cup I anoint my forehead with your blood But you’ve already passed by (It gets harder each time) Look I know you’ve had your feet and your hands bound back I know you had to escape in the night, had to cover your tracks I know your fear is a big black cloud, and it’s loud, and its rounding up yesterday’s rain Oh Marie I would wrap you in my love if it didn’t rattle like chains So we went round, unlocked every door Neon signs, and arrows on the floor I swallowed rocks to fill my throat If I can’t cry then maybe I won’t rock the boat (I just hope it still floats) In the morning light he’s been watching you sleep He’s been floating prayers up to gods that he don’t believe He says “Jesus I’m warning you - no, sorry, I’m begging you please Toss me to the waves again and again, just give my baby some peace And I will place my hands upon your wounds I will pay my rent down in your tomb You can drive your spear through me like a train Fix me to the rock - I swear I won’t complain! No, no complaints (just say she’ll remember my name) Set me on that hill so I can look out at the sky At the setting sun as my baby takes flight I watch her soar till they’re both outta sight It gets harder - no, I mean easier, it gets easier each time…”
4.
A Moon Spell 05:30
I fell under a moon spell with you I fell under a moon spell with you We danced for the sundown in your red dress You gave me your lips in the humming bird’s nest And I fell under a moon spell with you You held tight to my waist in the water at midnight The stars blurred like a candle flung mid-flight Ablaze with no shadows of doubt  That their fires would ever fade out Lost in wonder, transmitted o’er mountains, down under, The mesa, the outback, the tundra What’s in a name? They all look the same When I’m locked into you and the spell of the moon I fell under a moon spell with you I fell under a moon spell with you I took to the wing ‘neath your black eyes I waltzed you ‘round lake beds, my wild heron bride And then dived, dived down to the depths of the moon and you Feel it vibrate! The world shudders and shakes off the old state The new skin shimmering like a true name Long hidden from view, from theft and misuse And now newborn and out of the blue There goes the old world, if just for a minute The old cold world, eclipsed by what’s always been in it Tipped forward, unfolding its folds Its silvers and golds slipped through and stirred into a moon spell with you
5.
I built a cage for the birds out back I took the fire from the fiery crack I swung the hammer and I manned the forge I gassed up your car and I went to the store I cleaned the kitchen with a mop and pail I got the tiger by the tiger’s tail I burned the bodies so the flies wouldn’t swarm I chopped up the wood to keep the winters warm But honey you can have the last word A gentle kiss on the forehead that we both deserve It takes a truck full of kindness to lift our curse So you can have the last word I fed the chickens and I walked the dog I lit the lamp in the heavy fog I spun the lighthouse ‘round and warned you off the rocks And I still get the door every time you knock I killed the dragon in the dragon’s lair I rubbed your feet and I combed your hair I pledged my vows to the moonless night Then I swept up the stairs and turned off the light But honey you can have the last word Like a ringing bell on a flightless bird Some things you hear, they can’t be unheard That’s why you can have the last word Honey you can have the last word Like a kiss on the forehead that we both deserve It’s gonna take a truck full of kindness to lift our curse So you can start off with the last word And honey you can have all the goodbyes All the fare-thee-wells and the half-way tries I got my arms full up with the drifting surf So you can have the last word I see you coming and going Don’t know which is worse But you can have the last word
6.
When I say the words I say To the air and the stars, or to your face I don’t know if you know what it means I mean a cat, it has nine lives Lands on four feet, and with its one pair of eyes It can see in the dark for miles and miles But it can’t read It means the pulse and the heat Under your neck and down in your feet Is a thing I want next to me most all the time To be the voice inside your phone To hold your heart’s heaviest stones So you can breathe, and you can sleep And you can cry When I whisper, whisper the words To the aeroplane or the passing bird And say “would you please send these on to her If you’re headed that way” It means the time when I was twelve Lost in the pines, ringing hard on that bell Looking for God in empty wells And getting strange See I never had a blazing sword A burning bush, or a flaming gorge Just a choir chained to the doors Bound to itself So I wanna stare into your milkyway eyes I wanna lay my head down amongst your thighs And not be surprised when I wake up and I’m still myself And I will be good, silent and large The dragon you’ve hidden in your dad’s garage I won’t make a fuss every night when you retire And if the neighbors start to complain Just say it must be the sound of the distant rains And not the sound of some great beast As he’s choking on his own fire Just to rest, to be possessed Deep in your arms, and high up in your chest Look out onto this glowing world with a sliver country girl As it fades from view And bow our heads, and board the train Shrug off all of this trying to explain All that we’ve seen Is what it means Every day When I say I love...
7.
The Lotus 07:47
(Does it go on forever?) It rained for ten minutes today And the cactus and the coyote did a dance and sang your name Now there’s a full-bellied moon hanging over us in outer space If she can kiss both of us at the same time then what’s keeping us so far away This was almost the perfect world When you were stretched out in front of me I could see the shape of the whole damn thing Glowing like a newborn star in your body And all our daughters were suns, burning up with the hum of the harmony This was almost the perfect world Hail Marie! Are you full of grace? Would you bring your face back to me? Hail Marie! Aren’t you full of grace? Would you bring your face round so I can see? Bring your northern sky to my northern sky, my water sign is opening Bring your northern sky to my northern sky, my black water sign is opening Bring your northern sky to my northern sky, my northern sky, i’m waiting This was almost the perfect world (Does it go on forever?)
8.
If you knock on my door one of these nights And no light comes on inside, it means I’ve gone And if I’ve left you no note saying where or why’d I go It’s just cos I assumed you’d know how the thread moves along I have waited for the sound of your hand upon the latch Holding my breath so I could catch Your spirit drift into the room Open as we were Our hearts out in the rain Bleeding for the moon Beating out of time And warmed inside the fire That’s held back by the skins wrapped round All of the gods I found in you So if you’ve come ‘round to late Sometimes that’s just what it takes For us to see our own face In the dark of the glass And if you don’t recognize your own sad, lovely eyes Staring back into the night, just recall The sound of our voices As they rang out in chorus The laughter and joy we found spread out before us The night I first knocked on your door

about

“Grief is praise of those we have lost. Our own souls who have loved and are now heartbroken would turn to stone and hate us if we did not show such praise.”

- Martín Prechtel

I started working on these recordings as far back as 2017. I was writing with a frequency I hadn't seen in years, and was simultaneously recording as I went, a discipline I haven't always kept up. It soon was evident that something in me, or something in these songs, wanted to live beyond the guitar-playing singer-songwriter camp I've always leaned towards. Two decisions were made in quick succession: I would keep the guitar as far out of reach as possible on these tunes, and that I needed Alex Dupree to help make this happen.

Alex and I met up with drummer Parker Law in Austin, Texas over new years, January 2018, at Michael Landon's Estuary Recording. Working off of demos I had made, Parker laid down drum tracks to 15 songs in the course of two days. We also made use of the studio's baby grand piano, Moog synthesizers, vintage amplifiers, and a hammered dulcimer, amongst other things. Back home in Albuquerque, I continued recording and playing with new sounds, samples, equipment, and ideas. Alex would chime in on progress and keep me from losing my way, sometimes remotely and sometimes in person.

The shutdown of 2020 slowed progress while at the same time expanding opportunities for collaboration. Aisha Burns (from Balmorhea, Thor and Friends, and too many others to list) and Chris Simpson (lead singer of Mineral, The Gloria Record, and Mountain Time) both lent their voices to "The Lotus," and Emily Cross (who records as Cross Record, and as the lead singer of Loma) traded lead vocals with me on "The Last Word." Albuquerque drummer and percussionist Luke Phillips rounded out the band with new rhythmic elements.

Broadly speaking, these songs are wrapped in the dual world of love and loss. Specifically, they take place and are rooted in the American South West: Big Bend and the Rio Grande, The Sandia Mountains, Taos Mesa, the South Valley of Albuquerque. Grief & Praise represents a decade of living in New Mexico, a decade of love received and friends lost, long drives and quiet nights, all soaked through with beauty and heartache and sung back out to you and whomever will listen.

Thanks for letting me knock on your doors,
Seth (twp)

credits

released April 28, 2023

Performed by:
Parker Law, Luke Phillips, Alex Dupree, John Michael Landon, and Seth Woods
with Aisha Burns and Chris Simpson on “The Lotus”
and Emily Cross on “The Last Word”

Recorded by John Michael Landon at Estuary Recording in Austin, TX
and by Seth Woods at The Casita in Albuquerque, NM
Additional recording by Seth Woods at Dragon Blood Studios,
Sandia Park, NM
Mixed by John Michael Landon
Mastered by Carl Saff

Cover painting by Hallie Rose Taylor
Design and layout by Erik Lugo
Executive Producers: Jessica and Jeremy Martin-Weber

Produced by Alex Dupree and Seth Woods
© 2023 All songs written by Seth Woods, firemarshall productions (ascap)

Released by Casita Records
www.casitarecords.com

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The Whiskey Priest Albuquerque, New Mexico

The Whiskey Priest is song-writer Seth Woods. He sings about horses, oceans, trains, mountains, deities, hands, science fiction, sex, vegetation, drinking games, deserts, depression, party people, seagulls, death, monks, memory, autumn, driving, and breakfast. He has never met a drum machine he didn't like. ... more

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